Member
Kodjo (isac) Kossivi
On 14 July 2026 by Deej_Fabyc1Kodjo (isac) Kossivi b.2000, is a socially engaged and multidisciplinary artist who works across performances and mask making . His practice explores the immigrant identity, cultural heritage and his position as an artist in a community. His approach to art is rooted in the act of care and awareness with a hope to hold a
Member
Clare Carswell
On 7 July 2026 by Deej_Fabyc1Clare Carswell MA(RCA), is a British/Irish artist, based near Oxford UK, who works in theintersections between performance, drawing and writing. She exhibits and performs ingalleries, museums and for platform events in the UK and internationally.Works such as SHIM, for HELP! at Hundred Years Gallery London 2026, WONKYSTRANGE and TA TA for Women’s World at Pandora
Member
Emma Starkey
On 14 April 2026 by Deej_Fabyc1Emma Starkey is a Birmingham-based live artist developing alternatives to positivist modes of knowledge sharing in educational and artistic spaces. Her work challenges the colonial assumption that knowledge is something delivered from an authorised voice to a passive audience. Instead, she positions knowledge as relational — emerging between bodies, conditions, and the specific dynamics of
Artist in Residence 2026 . Member
Mary Whitty
On 2 April 2026 by Deej_Fabyc1“In February I stayed at Live Art Ireland for their In-between Residency, where I spent time researching my ongoing and evolving body of work. During my time there, I developed a clearer grasp on my thought processes, and some questions and answers that lay within my practice re-emerged that I had previously been grappling with
Artist in Residence 2026 . Member
Arlene Caffrey
On 2 April 2026 by Deej_Fabyc1Arlene Caffrey is a visual artist, researcher and educator based in Kilkenny. Working across performance, sculpture and social practice, her practice-based research explores the shifting cultural and sociopolitical landscape of contemporary Ireland and is informed by feminist and gender identity theory. Through performance and sculptural practice, she seeks to provoke critical reflection on constructs of