During our residency at Milford House, we developed our ongoing project Growing Sculptures From The Land, where we investigate the landscape through performative sculpture making. Using mud, cloth, stone and sound.
We started from the writings of Schelling about the cosmological intricacies of the system of nature, art and culture, just as much as BBC documentary series Around The World In 80 Gardens, alongside the concrete ideas of borders, nations and communities in relation to mud.
Reading sections from Timothy Morton All Art Is Ecological, Thomas Nail Theory Of The Earth, and Fredric Jameson Archaeologies Of The Future, we developed thinking about co-existence, re-wilding, place and space. We saw the layers of fallen trees and undergrowth growing out of the destruction of the old, into hypercities of bugs and critters, birds and plant life. We have been particularly inspired by the idea that everything emits time, as well as the deep understanding of the existence of others. The work became involved in geological relations between the soil, human culture, and nature.
We performed the making by digging the mud material from the ditches, filtering through the cloth and hanging them on the trees; then tending the sculptures day by day until they were ripe. Plucking them from the trees and opening the cloth to reveal the mud shapes, the fire pit dried them into fragile, cracked artworks. We then transferred the sculptures into the screen so they can travel freely. Finally, we placed the remnants of the physical mud sculptures in the public space of Portumna Forest, where they will participate in the ongoing ecosystem dialogue, decomposing, feeding, being part of the ground.
Here’s our Pragmata Collective artist statement:
Pragmata Collective is engaged in art-making with people things and places that are: sometimes private but relate to public; sometimes personal but relate to social; networked, entangled, technological; performed, prescriptive, perchance; researching, learning.
Pragmata is the collaborative practice of artists Adele Lazzeri and Toby Tobias Kidd.
Adele’s research and art practice revolve around sculptural experiments as philosophical enquiries into the geological-cosmological relations between art and nature.
Kidd’s critical and conceptual art practice is a celebration of the evolving idea through experimentation, futurity, pop-song and dialogue.
Live Art Ireland together with Bbeyond are collaborating to create a new Performance Art event ‘Convergence’ Curated by Deej Fabyc and Sandra Corrigan Breathnach.
We are calling for proposals for six solo performances that will be taking place at Live Art Ireland’s Ealaín Bheo Centre for Art Research and Development on the 15th of July 2022.
We are looking for new works created specifically for the event that may or may not be site specific. Information re the space can be found by visiting https://www.live-art.ie/milford-house/
Selected artists will receive a 200 Euro artists fee.
Application Deadline | 6th May 2022
- Please send a short Bio. of no more than 200 words
- Please send a short Statement of no more than 200 words
- Please send 3 good quality performance art images of at least 300dpi
- Please send on links to an online source to view your work – reviews etc. (Websites or Facebook etc.)
- Please send an outline of your proposed performance – (Please Note This Must be a New Work) 250 Words MAX.
Live Art Ireland and Bbeyond are performance art organisations that strongly believe that creativity and the arts are for all. We are committed that Convergence will be an inclusive equal opportunities event, which strives to be open to artists from every background, we welcome applications from artists of different religious beliefs and political opinion, different ethnicities, differing marital status and sexual orientation, gender and persons with disabilities and additional access needs, persons with dependents and persons without.