During our residency at Milford House, we developed our ongoing project Growing Sculptures From The Land, where we investigate the landscape through performative sculpture making. Using mud, cloth, stone and sound.
We started from the writings of Schelling about the cosmological intricacies of the system of nature, art and culture, just as much as BBC documentary series Around The World In 80 Gardens, alongside the concrete ideas of borders, nations and communities in relation to mud.
Reading sections from Timothy Morton All Art Is Ecological, Thomas Nail Theory Of The Earth, and Fredric Jameson Archaeologies Of The Future, we developed thinking about co-existence, re-wilding, place and space. We saw the layers of fallen trees and undergrowth growing out of the destruction of the old, into hypercities of bugs and critters, birds and plant life. We have been particularly inspired by the idea that everything emits time, as well as the deep understanding of the existence of others. The work became involved in geological relations between the soil, human culture, and nature.
We performed the making by digging the mud material from the ditches, filtering through the cloth and hanging them on the trees; then tending the sculptures day by day until they were ripe. Plucking them from the trees and opening the cloth to reveal the mud shapes, the fire pit dried them into fragile, cracked artworks. We then transferred the sculptures into the screen so they can travel freely. Finally, we placed the remnants of the physical mud sculptures in the public space of Portumna Forest, where they will participate in the ongoing ecosystem dialogue, decomposing, feeding, being part of the ground.
Here’s our Pragmata Collective artist statement:
Pragmata Collective is engaged in art-making with people things and places that are: sometimes private but relate to public; sometimes personal but relate to social; networked, entangled, technological; performed, prescriptive, perchance; researching, learning.
Pragmata is the collaborative practice of artists Adele Lazzeri and Toby Tobias Kidd.
Adele’s research and art practice revolve around sculptural experiments as philosophical enquiries into the geological-cosmological relations between art and nature.
Kidd’s critical and conceptual art practice is a celebration of the evolving idea through experimentation, futurity, pop-song and dialogue.
image: Kate Barry, V Painting, 2017-ongoing. Image credit: Alisha Weng.
Live art Ireland is excited to present a hybrid live/online event on the 14th of December at 6pm. Both Irish and International artists will present live art performance works and films designed for simultaneous online and live presentation.
Artists include: Day Magee(Ireland) Simona Pavoni (Italy) Amanda Millis (US) Kate Barry(Canada)Niamh Seana Meehan(Ireland), Mary Wycherley(Ireland)Rob Monaghan(Ireland)Andriy Helytovych (Ukrane) Ella De Burca(Ireland) Curated by Deej Fabyc & Carol Kennedy
Please see the Link to the Zoom Webinar below
This live art video was commissioned by Come Hell or High Water a series of monthly events at low tide in London Docklands taking place 2019-20. The project is produced by Sarah Andrew, Anne Bean, George Pringle and Phoebe Patey-Ferguson, initially activated with Hayley Newman. Deej Fabyc and MJ Newell made this live to camera performance for the November 2020 iteration. This performance was created at Live art Ireland at Milford House.