Emma Starkey is a Birmingham-based live artist developing alternatives to positivist modes of knowledge sharing in educational and artistic spaces. Her work challenges the colonial assumption that knowledge is something delivered from an authorised voice to a passive audience. Instead, she positions knowledge as relational — emerging between bodies, conditions, and the specific dynamics of
“In February I stayed at Live Art Ireland for their In-between Residency, where I spent time researching my ongoing and evolving body of work. During my time there, I developed a clearer grasp on my thought processes, and some questions and answers that lay within my practice re-emerged that I had previously been grappling with
Arlene Caffrey is a visual artist, researcher and educator based in Kilkenny. Working across performance, sculpture and social practice, her practice-based research explores the shifting cultural and sociopolitical landscape of contemporary Ireland and is informed by feminist and gender identity theory. Through performance and sculptural practice, she seeks to provoke critical reflection on constructs of
I was born on the day Bobby Sands died of hunger strike for civil rights in Northern Ireland. Iwas brought up both in rural Donegal and in a council estate in Dublin city. I attendedLimavady College of Art a year after the Omagh bomb. I went on to study in England atUniversity of Huddersfield where
Sara Andrade Monteiro (b. 1978, Lisbon, Portugal) is a Northern Ireland–based artist currently studying Fine Art at Belfast School of Art. Working across performance, sculpture, sound, and lens-based media, her practice is grounded in lived experience and informed by trauma theory, with a focus on embodiment, memory, dissociation, and endurance. In recent years, she has increasingly focused