Live Art performance . Mentored Residency
Aistearoir Project 2026
On 25 March 2026 by Deej_Fabyc1A Curator–Artist Mentorship Programme Aistearóir is the Irish word for journey. This curator–artist mentorship programme invites six curators to participate in a developmental residency at Live Art Ireland from 8th–12th April. During this period, the curators select the artist with whom they wish to work and mentor them throughout the year, using whatever means of
Residency Call Out
Flesh As Witness
On 1 March 2026 by Deej_Fabyc1Stories We’re Not Supposed To Hold Workshop & Residency Mentored by Rubiane Maia and Manuel Vason 15th July – 17th August 2026 Application opens: Friday 30th January Application closes: Thursday 30th April This open call is for Queer (or queer ally) Global Majority artists based in or from Ireland, the UK and mainland Europe. You
Member
Claudia Barton
On 24 February 2026 by Deej_Fabyc1Claudia Barton is a transdisciplinary artist and composer. Her background is in place-responsive performance, sympoiesis, field-recordings, eco-acoustic composition, the voice, ballads and plant lore. Her work is described as Hauntological. She has toured in Japan, Russia, the US, Australia and much of Europe and the UK as a torch-singer-lyricist and experimental theatre practitioner. She is
Member
The Little Mango
On 24 February 2026 by Deej_Fabyc1Bio: The Little Mango is the artistic identity of Caterina Mangone, a multidisciplinary video artist working between nature, technology, and contemporary ritual. Based in Italy, she explores the symbolic and emotional relationships between humans and digital devices through short-format video artworks. With a background in Art Direction and communication, her practice blends poetic visuals with
Artist in residence . Research . Residencies
Live Art Ireland Library
On 24 February 2026 by Deej_Fabyc1The books in Live Art Ireland’s library belong to Deej Fabyc’s personal collection, gathered from childhood onwards. Some volumes were passed down from Deej’s parents and grandparents and, as a result, certain texts contain language that would be considered unacceptable by today’s standards — including racist and ableist terminology. These books are, however, 19th and