Eduardo Amato

I am interested in minimal / cyclic-objectual / open source / site responsive performance, tensioning fixed points and gaps for experimentation.
Establishing a vocabulary of domestic technologies as I install / (re)use / uninstall them with non-hermeneutic actions that I’ll give shape as they appear in performance.
With sharp focus, I let them take over time and space, tuning into a meditative and silent wave with slow actions and delicate gestures.
Step by step, with no storytelling one action leads to another in response to a relationship with the world based on presence (and absence) and not on meaning.

Eduardo Amato is a performance artist based in Curitiba BRASIL. Their practice is based on precepts arising from the relationship with artists from different places and understandings.

They have performed widely including at 39a e 42a p.ARTE (Curitiba, 2018 / 2019), Festival de Performance ZAZ at Bamat Meizag (Tel Aviv, 2017), Temporada de Performance – Festival de Teatro (Curitiba, 2019), Festival Temporal (Assunção, 2019), Festival Lacração (Vitória, 2019), Festival de Performances da Galeria Transparente (Rio de Janeiro, 2019) and Festival Corpos Críticos 02 (Rio de Janeiro, 2019); the 25o anniversary of Bienal Internacional de Curitiba (2018), Semana de Performances – Bienal Internacional de Curitiba (2017/ 2019) and BIFPA – Ulster University (Belfast, 2021 e 2022). They have completed several residencies, including Bauhaus-Universität (Weimar, 2010), Hochschule Wismar (Wismar, 2013), Pivô (São Paulo, 2020) and Live Art Ireland – Ealaín Bheo Centre for Art Research and Development at Milford House (Borrisokane, 2022).

Frequently engaged with open source performances, open sessions, gatherings, group performances, etc where they performed with Bbeyond at Performance Monthly / Belfast UK, PAErsche / Köln DE and SITE / Folkestone UK in 2022.